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[VIRTUAL] // Dojo at Dawn exists in a spirit realm of its own, and was inspired by traditional Japanese joinery construction methodology mixed with the proportions of the Matrix dojo. This is a bespoke multipurpose homespace by Archonomous.
[VIRTUAL] // Dusk Agora is an 1,800sqm 3-tier gallery with an step well-inspired open plan and ample area for displaying virtual art and artifacts. Originally envisioned as the award-winning Cloud Agora for the 2021 MoNA x Filecoin Buildathon.
[IMAGERY] // 50mm Nihon is the story of a love affair with Japan told through 150 photographic moments captured in 50mm on Ethereum. Click the image above to learn more about the project and it’s purpose.
[VIRTUAL] // Set within Kepler-186f's atmosphere, Atmos House is a luxurious hybrid space - equal part residence, gallery & laboratory - reserved for prestigious interplanetary guests looking to disconnect among the stars. Planet Kepler is regarded as an interstellar safe haven due to its accessibility and Earth-like qualities, and also because it remains under the militarized protection of the Oasis. Consider their protection as a bonus insurance policy for your assets.
Designed by Archonomous for the 2022 MoNA x Filecoin Renaissance Buildathon. | ENTER SPACE | View properties on OpenSea
Professional spatial renderings for conceptual and built projects under the management of Studio Caban. All projects are fully modeled, composed, and rendered digitally.
LO-FI SKYHUT
It’s the inverted tree house of your childhood dreams;
a space for you and your friends to hang out in virtual reality,
a place to escape to — to contemplate at; a digital home for all.
Routine is the perfect match for a consumer-oriented society. Routine is comfortable, routine is what we know. Routine is the oil to our societal machine, but routine, eventually reaches a threshold —— a threshold flanked by Time and Efficiency. In an effort to overcome our inefficiencies, we, the consumers, begin to trim extra information out of our sensory. We see now only what we know. We are now the most efficient at what we know, but only at what we know. Now, what if we suddenly decide to see everything once again? What if we decide that we want to see everything once again, but differently? How would you see your new world? This photo series aims to recognize the minute details that compose our daily surroundings under the light of consumerism.
Shoot of resident desert artist, Faith Christiansen Smeets, for Territory Magazine Issue No. 02, the “first moderne journal of the southwest,” published on the 19th of May, 2018.
Issue available for online purchase here.
Cotton candy clouds, perpetually extruding from the industrial complex around. Communities and children abound, yet always stifled by the persistent thickness of the air in which we drown. Systemic injustice —— the air we deserve —— as the industrymen’s pockets become evermore deep.
Cotton Candy Utopia utilizes digital manipulation as a means to create a new, yet false sense of reality. This small batch of photographs focuses on a juxtaposition of subject matter to convey a consistent, surreal feeling.
Tokyo, Japan
House Vision 2016 considers the house as an intersection between industries, which makes it the ideal platform on which to project ideas about the future. Taking the house as the starting point reveals potential solutions for many issues, including energy, communications, mobility, the aging society, the relationship between urban and rural, and the preservation of traditional land use systems such as satoyama areas and terraced rice fields.
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